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I tell people to point their shadow at the subject. When the subject is bathed in golden illumination that fully lights every angle and crevice of the animal, it doesn’t get any better.
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When I photograph the wildlife of the Serengeti, Yellowstone or even at a local park, I prefer front light at sunrise or sunset. a cheetah‚-in this case, the gazelle wins. You align the placement of the gazelle and rainbow and viola, you have a winner. As a result, all the images are blurry.Ĭonversely, located in that exact same open area of grasses, a clearing storm opens a hole in the clouds and a double rainbow explodes in color with dark storm clouds behind it while a common gazelle stands in the field. Because the light is so flat and low, your ISO can’t go high enough to get an action-stopping photo and the cheetah keeps going. The cheetah keeps running in circles in the area close to you. They impart a dull flat source of illumination on a majestic animal. Sounds great, doesn’t it? The clouds are thick and gray. I’ve often stated the following words and I’ll always live by them: “Regardless of the direction in which I aim my lens, I ’ d rather photograph a mundane subject in great light than a great subject in mundane light.” For instance, picture in your head a lone cheetah running across the open grasslands of the Serengeti.
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Here’s how to seek out better light to make more impressive images. If the light is ugly, no matter how great everything else is, the image won’t be as good as if the light was dramatic. You may have seen me wear my “It’s All About The Light” shirt. If you’ve been on one of my safaris or tours, you’ve heard me say it numerous times. I feel it’s the single most critical factor that determines a photo’s success. If you’re a regular reader of my Tip of the Week, you know how important light is to me. When an image is made, you write with light.
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The word “photography” says it all: photo = light and graphy = to write. The most crucial ingredient in any photo recipe is light.